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Friday, 30 November 2018

Mueller probe questions Ivanka and Don Jr's role in Trump Tower Moscow scheme

Robert Mueller’s investigation into Donald Trump’s plans to build a Trump Tower Moscow has led the Special Counsel to question the role Ivanka and Don Jr played in trying to secure a Russian real estate deal, reports Hunter Walker at Yahoo News.

That same deal involved a $50 Million penthouse for Putin. Michael Cohen flipped, this is a big thing, and it may end up being the President's undoing.

From the Yahoo News exclusive:

Mueller’s interest in the Trump family real estate company’s Russia skyscraper plans was confirmed on Thursday when Michael Cohen, the president’s former attorney and fixer, pleaded guilty to lying to Congress about the proposed deal. In charging documents, Mueller said Cohen falsely claimed the effort to build a Trump Tower Moscow “ended in January 2016” in an attempt to “minimize” links between Trump and the project and to “give the false impression” the effort ended prior to the Republican primaries in 2016. Yahoo News first reported in May that congressional investigators had obtained text messages and emails showing Cohen’s work on Trump Tower Moscow went on for longer than he admitted under oath.

But Cohen wasn’t the only person at the Trump Organization who was pursuing deals to build a skyscraper in the Russian capital. Multiple sources have confirmed to Yahoo News that the president’s oldest daughter, Ivanka, who is now a top White House adviser, and his oldest son, Don Jr. were also working to make Trump Tower Moscow a reality. The sources said those efforts were independent of Cohen’s work on a project. One of the sources said Ivanka was also involved in Cohen’s efforts. And a separate source familiar with the investigation told Yahoo News that Mueller has asked questions about Ivanka and Don Jr.’s work on Trump Tower Moscow.

Mueller’s charging documents against Cohen included a line that described the Trump family’s involvement in the project. According to Mueller, one of the things Cohen lied about was that he “briefed family members” of Trump’s who worked at the Trump Organization about the proposed Moscow skyscraper. Prior to joining the White House, Ivanka was an executive at the company. Don Jr. and his middle son, Eric, remain with the Trump Organization.

Neither the special counsel’s office nor Cohen and his attorney would respond to Yahoo News's requests for comment, nor did lawyers representing the president.

Donald Trump talks to reporters as he departs on travel to Argentina from the White House in Washington, U.S., November 29, 2018. REUTERS/Jonathan Ernst



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Trump Org. planned to give Vladimir Putin $50 Million penthouse in Trump Tower Moscow

The 2016 plans for Trump Tower Moscow 2016 included giving Russian President Vladimir Putin a $50 million penthouse.

Donald Trump’s failed 2016 scheme to open a Trump Tower in Moscow is at the center of a charge unveiled Thursday against the president's former personal attorney Michael Cohen.

In court this morning, Cohen pleaded guilty to making false statements to Congress in 2017. He said negotiations over a Moscow Trump Tower project ended in January 2016. We now know that these talks, which included Trump himself, went on until June 2016. That's just one month before the RNC convention nominated Trump as the Republican presidential candidate.

There's a whole lot of crazy in today's court filings. One of the craziest new things we know:

The Trump Organization planned to present as a gift to Russian President Vladimir Putin a $50 million penthouse at Trump Tower Moscow. Trump's real estate firm negotiated the deal concurrent with Trump's 2016 presidential campaign.

From the Wall Street Journal:
.

Mr. Trump said Thursday that Mr. Cohen is lying. And he noted that no deal ever happened, but if it had, it would not have been an issue because he was still operating as a private businessman. The White House declined to comment.

The Moscow project marked the culmination of 30 years of interest by Mr. Trump in establishing a foothold in Russia and nearby Ukraine. The push involved more than 20 separate developments. Though ultimately none came to fruition, one advanced far enough to leave a giant hole, eight stories down in the ground before being abandoned. The proposed plans for the 2016 project included giving Russian President Vladimir Putin a $50 million penthouse, long-time Trump associate Felix Sater said in an interview. Mr. Cohen loved the idea, Mr. Sater said.

During the presidential campaign, Michael Cohen discussed the matter with a representative of Putin’s press secretary, according to new reporting by Anthony Cormier and Jason Leopold of BuzzFeed News:

Two US law enforcement officials told BuzzFeed News that Michael Cohen, Trump’s personal lawyer at the time, discussed the idea with a representative of Dmitry Peskov, Putin’s press secretary.

The Trump Tower Moscow plan is at the heart of a new plea agreement by Cohen, who led the negotiations to bring a gleaming, 100-story building to the Russian capital. Cohen acknowledged in court that he had lied to Congress about the plan in order to protect Trump and his presidential campaign.

The revelation that representatives of the Trump Organization planned to forge direct financial links with the leader of a hostile nation at the height of the campaign raises fresh questions about President Trump's relationship with the Kremlin. The plan never went anywhere because the tower deal ultimately fizzled, and it is not clear whether Trump knew of the intention to give away the penthouse. But Cohen said in court documents that he regularly briefed Trump and his family on the Moscow negotiations.

BuzzFeed News first reported in May on the secret dealings of Cohen and his business associate Felix Sater with political and business figures in Moscow.

The two men worked furiously behind the scenes into the summer of 2016 to get the Moscow deal finished — despite public claims that the development was canned in January, before Trump won the Republican nomination. Sater told BuzzFeed News today that he and Cohen thought giving the Trump Tower’s most luxurious apartment, a $50 million penthouse, to Putin would entice other wealthy buyers to purchase their own. “In Russia, the oligarchs would bend over backwards to live in the same building as Vladimir Putin,” Sater told BuzzFeed News. “My idea was to give a $50 million penthouse to Putin and charge $250 million more for the rest of the units. All the oligarchs would line up to live in the same building as Putin.” A second source confirmed the plan.

And now....



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Wikileaks threatens to sue "fake news producers"

Wikileaks, furious about a report in The Guardian claiming that founder Julian Assange met with Trump campaign manager Paul Manafort, said that it plans to sue it for libel. Moreover, it expects to create a "business model" from such lawsuits.

NEW RULES: WikiLeaks is going make suing fake news producers like the Guardian a central part of its business model. Since libels are the most predictable response to the power and accuracy of a WikiLeaks' publication, our analysis is that this is a stable, scalable income stream

Hey, at least someone gets to see him in court.



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Google engineer calls for a walkout over China censorship and raises $200K strike fund in hours

Liz Fong-Jones is a Site Reliability Engineer for Google's cloud division; she took to Twitter after reading today's story in The Intercept in which ex-Google security engineer Yonatan Zunger and three current, unnamed Google Security and Privacy staff describe how they were sidelined and deceived in the rush to ship Project Dragonfly, Google's secret, censored, surveilling Chinese search engine.

Fong-Jones was aghast that Google management was bypassing the Security and Privacy team and called for a walkout if Project Dragonfly shipped without signoff from Security and Privacy. She offered to match the first $100,000 in donations towards a strike-fund to support Googlers who walked off should the day come; hours later, her Google colleagues had put up another $100K.

Fong-Jones works for a Google division whose CEO had to resign in disgrace after an employee uprising over a contract to supply AI tools for the Pentagon's drone program.

Fong-Jones called on the Tech Workers Coalition to form a special-purpose 501(c)5 nonprofit to receive and administer the strike fund.



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Correlates of Trump voting: searches for erectile dysfunction, hair loss, how to get girls, penis enlargement, penis size, steroids, testosterone and Viagra

The precincts that swung hardest for Trump in 2016 and for the GOP in 2018 also had the highest incidence of Google searches for “erectile dysfunction,” “hair loss,” “how to get girls,” “penis enlargement,” “penis size,” “steroids,” “testosterone” and “Viagra.” '

This is new: votes for John McCain and Mitt Romney did not correlate strongly with these searches.

The search terms are a proxy for "fragile masculinity," a secret insecurity about one's manhood. Men who boast about their testosterone levels (like Donald Trump) or the size of their hands (like Donald Trump) are thought to be suffering from fragile masculinity.

The research was carried out by the Washington Post's Monkey Cage, which focuses on statistics as a means of understanding the news.

Our data suggests that fragile masculinity is a critical feature of our current politics. Nonetheless, points of caution are in order.

First, the research reported here is correlational. We can’t be entirely sure that fragile masculinity is causing people to vote in a certain way. However, given that experimental work has identified a causal connection between masculinity concerns and political beliefs, we think the correlations we’ve identified are important.

Second, it remains to be seen whether any link between fragile masculinity and voting will persist after Trump exits the national stage. We suspect, however, that Trump’s re-engineering of the GOP as a party inextricably tied to many Americans’ identity concerns — whether based on race, religion or gender — will ensure that fragile masculinity remains a force in politics.

How Donald Trump appeals to men secretly insecure about their manhood [Eric Knowles and Sarah DiMuccio/Washington Post]

(Image: Bulls Balls, Washington Post)

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Google's secret project to build a censored Chinese search engine bypassed the company's own security and privacy teams

Google's Project Dragonfly is a formerly secret project to build a surveilling, censored version of its search engine for deployment in China; it was kept secret from the company at large during the 18 months it was in development, until an insider leak led to its existence being revealed in The Intercept.

According to named and anonymous senior googlers who worked on the project and spoke to The Intercept's Ryan Gallagher, the secrecy was motivated by the fear that googlers would object to the project so passionately that it would be scuttled (another controversial project, Project Maven, would have provided AI services to the Pentagon's drone project, but the internal outcry was so intense that it was killed and the CEO of Google's cloud division resigned in disgrace).

They were right to be scared. The existence of the project triggered mass protests from inside Google, with waves of resignations (including at the highest levels).

Today's report in The Intercept reveals the great and unethical lengths Project Dragonfly's leadership went to to slip the project past the company's rank-and-file, and its founders.

Yonatan Zunger -- a respected security researcher -- was on the Dragonfly team, but subsequently quit to work for a startup. He says he would have quit anyway, because of irregularities in the planning and execution of Project Dragonfly.

The Intercept puts the blame for Dragonfly on Google China Operations Head Scott Beaumont, whom sources (including Zunger) say systematically excluded the privacy and security teams from Dragonfly meetings, misleading them about support from Google founders for the project, and keeping them from sharing their research and recommendations from Beaumont's bosses.

The culture of secrecy around Dragonfly was extreme: written notes were rarely kept to prevent them from leaking, engineers were threatened with dismissal if they discussed the project internally, and people on the project were sometimes not allowed to directly communicate -- they had to funnel their communications through Beaumont and his cadre. The concern, according to the googlers sourced for the article, was not a widespread public leak, but an internal one -- the leadership were worried that the company's own staff would rise up at the idea.

Sources in the article say that Project Dragonfly's secrecy was unheard-of in Google's history. Likewise aberrant was Beaumont's hostile dismissal of the privacy and security team's analysis and recommendations, and their flagging up of the possibility that the company could be complicit in human rights abuses by Chinese authorities if they used Google's search tool to identify and target dissidents.

Zunger and his colleagues produced a privacy report that highlighted problematic scenarios that could arise once the censored search engine launched in China. The report, which contained more than a dozen pages, concluded that Google would be expected to function in China as part of the ruling Communist Party’s authoritarian system of policing and surveillance. It added that, unlike in Europe or North America, in China it would be difficult, if not impossible, for Google to legally push back against government requests, refuse to build systems specifically for surveillance, or even notify people of how their data may be used.

Zunger had planned to share the privacy report and discuss its findings during a meeting with the company’s senior leadership, including CEO Sundar Pichai. But the meeting was repeatedly postponed. When the meeting did finally take place, in late June 2017, Zunger and members of Google’s security team were not notified, so they missed it and did not attend. Zunger felt that this was a deliberate attempt to exclude them.

Google Shut Out Privacy and Security Teams From Secret China Project [Ryan Gallagher/The Intercept]

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Mozilla pulls a popular paywall circumvention tool from Firefox add-ons store

Bypass Paywalls is a popular extension for Firefox and Chrome that does what the name implies: allows your browser to manipulate its cookies so that websites with "soft paywalls" that allow a small number of free articles can't accurately determine if you've already exceeded your limit.

Bypass Paywalls is a free software project maintained by Iamadamdev and hosted on Github.

On November 17, Iamadamdev updated the project's Readme file to announce that Mozilla had removed the extension from its Add-Ons Store; according to Iamadamdev, the add-on was removed for violating Mozilla's terms-of-service; but they dispute that the project violates those terms.

The terms are spread across two pages and the relevant passage appears to be "Mozilla reserves the right ...[to] remove [an add-on that] our reasonable opinion, violates this Agreement or the law, any applicable Mozilla policy, or is in any way harmful or objectionable to End-Users".

I do not believe that Bypass Paywalls violates any law; and it's hard to see how it would be harmful or objectionable to the users who run it. The "applicable Mozilla policy" seems a little circular, but maybe that's the justification?

Release and Beta versions of Firefox do not allow unsigned extensions to be installed, so the vast majority of Firefox users will not be able to use Bypass Paywalls unless it is restored to the Add-Ons store.

The Mozilla Add-Ons Store still lists two not-very-ambitious paywall circumvention tools; Chrome's add-on store still includes Bypass Paywalls.

The author of Bypass Paywalls is urging users to contact Mozilla and ask them to reconsider their decision to remove the add-on.

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Sennheiser's headphone drivers covertly changed your computer's root of trust, leaving you vulnerable to undetectable attacks

Your computer ships with a collection of trusted cryptographic certificates, called its "root of trust," which are consulted to verify things like SSL connections and software updates.

A recent report from Secorvo reveals that Sennheiser's Headsetup drivers for its headphones covertly inserted two certificates into this root of trust. What's more, the certificate was ineptly secured, making it possible to guess the other half of the key-pair (certificates come in pairs; what one signs, the other can verify, and a well-formed certificate can never be used to infer its matching other half).

Worse still: the Headsetup installer didn't remove the certificates when you uninstalled the software, leaving your computer in a vulnerable state.

The upshot: anyone with access to the Headsetup installer could figure out the signing key, then use that key to sign certificates that would allow them to impersonate Google, Apple, Microsoft, your bank, the IRS (etc) to your computer, in an undetectable way, opening the door for malware, phishing, and other attacks.

When the researchers analyzed the private key, they determined that it was encrypted with AES-128-CBC encryption and needed to find the proper password to decrypt it. As the HeadSetup program needed to decrypt the key as well, it means it must have been stored somewhere, which in this case was in a file called WBCCListener.dll.

"In order to decrypt the file we needed to know the encryption algorithm and key that the manufacturer used for encryption," the researchers explained. "Our first guess was that the vendor employed the common AES encryption algorithm with 128-bit key in CBC mode. In the HeadSetup installation directory, we found only one piece of executable code that contained the file name SennComCCKey.pem, a DLL file named WBCCListener.dll. We searched for “AES” in the strings contained in this DLL. The result is shown in Figure 4: there is indeed the algorithm identifier aes-128.cbc. We found the key that the vendor used in close proximity to that algorithm identifier, stored in clear in the code."

Once they decrypted the private key into a standard OpenSSL PEM they once again needed a passphrase to utilize it. This passphrase was located in a configuration file called WBCCServer.properties as shown below.

In 2017, Lenovo was sanctioned by the FTC for a similar blunder, when its "Superfish" spyware shipped pre-installed on low-end laptops.

Sennheiser Headset Software Could Allow Man-in-the-Middle SSL Attacks [Lawrence Abrams/Bleeping Computer]

Certificate Management Vulnerability in Sennheiser HeadSetup [Hans-Joachim Knobloch and André Domnick/Secorvo Security Consulting GmbH]

(Image: LukeBam06, CC-BY-SA)

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When Ted Cruz asked for free Nine Inch Nails tickets, Trent Reznor told him to fuck off

During a Nine Inch Nails concert in Irving, TX two nights ago, Trent Reznor asked the crowd who voted for Ted Cruz. The room exploded with a resounding chorus of boos. He then told his fans, "He was bugging to get on the guest list, and I told him to fuck off.”

According to Spin, Reznor said it wasn't the first time the "pain-in-the-ass" senator from Texas had asked for free tickets.

“We put him on [the guest list] a few years ago. He drank all the beer and was just a pain in the ass to be around,” Reznor told the crowd, before launching into a performance of “1,000,000” from The Slip.

Here's a reddit video of Reznor at his NIN concert explaining to his audience why he told Cruz to fuck off.

Image: by Mark Benney, CC BY-SA 3.0, Link



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New York City's municipal debt collectors have forged an unholy alliance with sleazy subprime lenders

New York City's "marshal" service is a throwback to the Dutch colonial days; the 35 marshals are appointed by the mayor, draw no salary, and earn their livings by skimming a percentage off of the debts they collect, operating with impunity and reaching around the world.

The most prolific and successful NY marhsal is Vadim Barbarovich, who earned $1.7 million last year, making him New York's best-paid municipal employee. Barbarovich grew his income to such untold heights by partnering with internet-based "cash-advance" companies -- these are business lenders who circumvent loan-sharking limits on interest rates by characterizing their loans as buying a heavily discounted interest in the future earnings of a company.

NY marshals can obtain "court orders" requiring banks to turn over their targets' savings without ever appearing in front of a judge or providing evidence of a genuine debt. These are not enforceable outside of New York City, but victims of NY marshals say theyhave made a practice of hitting out-of-town banks (and in-town branches of banks to get at out-of-town customers), partnering with cash-advance companies to rake in millions, reaching into the bank accounts of distant American small business owners and simply cleaning them out, leaving them to scramble or go bust.

Barbarovich now employs both his father and his daughter to help in the family business, and he's increased his income 20-fold since he started as a marshal in 2013.

He's got competition: retired police lieutenant Stephen Biegel is also a favorite of cash-advance lenders, and last year, he made $786,418.

Soliz, 55, whose family-owned company builds concrete-block walls for schools and big-box stores in the Texas Panhandle, has a typical story. He needed money to expand and couldn’t get bank loans, so he started borrowing from cash-advance companies about two years ago and quickly got trapped in a cycle of debt.

By August 2017, Soliz was in hock to several lenders when he applied for a cash advance from Queen Funding LLC in Miami Beach, Florida. Court documents show he got about $23,000 after brokerage and origination fees and agreed to pay back $44,970 within nine weeks—akin to 800 percent annualized interest. A lawyer for Queen declined to comment.

Soliz says the fees were more than he expected, so he stopped payment. A few days later, on payday for his roughly 50 workers, Soliz checked his Wells Fargo & Co. bank account on his phone and noticed it was frozen. The paychecks bounced. He scrambled over the next few days to gather cash from completed jobs to make up the wages.

The $1.7 Million Man [Zachary R. Mider and Zeke Faux/Bloomberg]

(via Naked Capitalism)

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Watch: Scientist discovers type of spider that nurses its babies with high-protein milk

Last year, scientist Chen Zhanqi from China noticed a baby jumping spider behaving in a way that baby mammals do: it attached itself to its mother the way baby animals do when suckling milk.

Zhangi decided to closely study jumping spiders along with a colleague, and discovered that their babies actually do suckle milk from their mother's epigastric furrow, which is found on her abdomen. The milk was found to have four times the amount of protein as that of a cow, and the baby spiders suckled until they were considered "sub-adults" at 40 days old. But when the scientists painted over the epigastric furrow to block the flow of milk, the babies died after 10 days.

"Providing milk and long-term care together is virtually unheard of in insects and other invertebrates. And with the exception of mammals, it’s not even that common among vertebrates," according to ScienceMag.org, which makes this discovery all the more fascinating.



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Here's how the Pentagon swindled Congress with $21 trillion worth of undocumented, untraceable, unaccounted for expenditures

Remember when the Department of Defense's own internal auditor revealed that the agency had committed $6.5 trillion in accounting fraud in just one year?

Now, an in-depth investigation into the Pentagon's crooked accounting in The Nation hints at the full extent of the accounting frauds deployed by the agency that already absorbs two-thirds of all of America's federal tax revenue, and delves into the methods used by the Pentagon's bagmen to hide their financial sleights of hand.

The Pentagon's main goal is to ensure that it never has its budget cut, so it is at pains to disguise any funding surpluses it has at the end of the year. The laundering tactics used to accomplish this are shifting money from "one-year funds" into "five-year funds." The Pentagon's other tactics are internally described as "plugs" (which "plug a hole" in a budget) and "nippering" (shifting funds from a Congressionally approved purpose into another one, repeatedly, "until the funds become virtually untraceable").

The total figures are inconceivably large. From 1998 to 2015, the Pentagon made at least $21 trillion worth of unaccountable transactions (some of these were on the positive side of the ledger) -- five times the annual US GDP!

(Similar practices take place in other agencies: for example, HUD also made $351 million in off-books spending in the same period).

One interested party has taken action—but it is action that’s likely to perpetuate the fraud. The normally obscure Federal Accounting Standards Advisory Board sets the accounting standards for all federal agencies. Earlier this year, the board proposed a new guideline saying that agencies that operate classified programs should be permitted to falsify figures in financial statements and shift the accounting of funds to conceal the agency’s classified operations. (No government agency operates more classified programs than the Department of Defense, which includes the National Security Agency.) The new guideline became effective on October 4, just in time for this year’s end-of-year financial statements.

So here’s the situation: We have a Pentagon budget that a former DOD internal-audit supervisor, Jack Armstrong, bluntly labels “garbage.” We have a Congress unable to evaluate each new fiscal year’s proposed Pentagon budget because it cannot know how much money was actually spent during prior years. And we have a Department of Defense that gives only lip service to fixing any of this. Why should it? The status quo has been generating ever-higher DoD budgets for decades, not to mention bigger profits for Boeing, Lockheed, and other military contractors.

The losers in this situation are everyone else. The Pentagon’s accounting fraud diverts many billions of dollars that could be devoted to other national needs: health care, education, job creation, climate action, infrastructure modernization, and more. Indeed, the Pentagon’s accounting fraud amounts to theft on a grand scale—theft not only from America’s taxpayers, but also from the nation’s well-being and its future.

As President Dwight D. Eisenhower, who retired from the military as a five-star general after leading Allied forces to victory in World War II, said in a 1953 speech, “Every gun that is made, every warship launched, every rocket fired signifies, in the final sense, a theft from those who hunger and are not fed, those who are cold and are not clothed.” What would Eisenhower say today about a Pentagon that deliberately misleads the people’s representatives in Congress in order to grab more money for itself while hunger, want, climate breakdown, and other ills increasingly afflict the nation?

Exclusive: The Pentagon’s Massive Accounting Fraud Exposed [Dave Lindorff/The Nation]

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Remember the Vectrex videogame system from the 1980s? It had a little brother

For those who don't know, the Vectrex was Milton Bradley's videogame console with an integrated vector graphics display that was introduced in 1982. As cool and unique as Vectrex was, it was only on the market for two years before succumbing to the video game crash of 1983. A few years ago, photos turned up revealing that Milton Bradley had apparently prototyped a more portable version of the console. Other than what was seen in those images though, there was little-to-no information about the actual system, like whether it actually worked or was just a mock-up. Until now. The National Videogame Museum has actually acquired one of the working prototypes!



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World War II Enigma cipher machine up for auction

A rare, fully-operational Enigma cipher machine from World War II will go up for auction at Sothebys tomorrow as part of an amazing History of Science & Technology auction (also including Richard Feynman's Nobel Prize). The Enigma is expected to go for around $200,000.

From a 1999 article I wrote for Wired:

German soldiers issued an Enigma were to make no mistake about their orders if captured: Shoot it or throw it overboard. Based on electronic typewriters invented in the 1920s, the infamous Enigma encryption machines of World War II were controlled by wheels set with the code du jour. Each letter typed would illuminate the appropriate character to send in the coded message.

In 1940, building on work by Polish code breakers, Alan Turing and his colleagues at the famed UK cryptography center Bletchley Park devised the Bombe, a mechanical computer that deciphered Enigma-encoded messages. Even as the Nazis beefed up the Enigma architecture by adding more wheels, the codes could be cracked at the Naval Security Station in Washington, DC - giving the Allies the upper hand in the Battle of the Atlantic. The fact that the Allies had cracked the Enigma code was not officially confirmed until the 1970s.



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Gentleman steals $2,100 from an office safe, then gets busted after falling asleep mid-robbery

A man on the federal wanted list for repeated crimes in Russia broke into an office building and stole 140,000 rubles ($2,100 USD) from a safe. He had brought a toolbox worth of tools, including "screwdrivers, wire cutters, a hammer, a nail puller, and a bunch of keys, to break into several private company offices, looking for valuables," according to Oddity Central.

But before taking off, he spotted a leather armchair and couldn't resist. The gentleman took a seat and fell into a deep slumber, bungling any plan of escape.

Asleep for hours, he was finally spotted on a security camera. Police came and had an easy time nabbing the man, who was still snoozing comfortably with his bag of cash.

Needless to say, the 36-year-old burglar was arrested.

Image: Mohamed Hassan/PublicDomainPictures.net; CCO Public Domain



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The Grav Menorah: Hannukah suddenly a high holiday

A Hannukah miracle I can get behind.

The world has burnt enough oil.

You can buy it here for $399.



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7 Ways To Take Your Photography To The Next Level

The post 7 Ways To Take Your Photography To The Next Level appeared first on Digital Photography School. It was authored by Kav Dadfar.

It easy to stagnate as a photographer. It’s a lonely hobby where you often work alone spending hours in pursuit of one photo which may not materialize. You can begin to lose interest and become lazy. This loss of interest can manifest itself in your photos which, in turn, demoralizes you further. As with many hobbies, the great thing about photography is you can reignite your passion. So here are 7 ways to take your photography to the next level.

1 - 7 Ways To Take Your Photography To The Next Level

1. Photograph Something Different

One of the things many photographers are guilty of doing is photographing the same things over and over again. If you did the same thing again and again, eventually you’d get fed up with it. So, a great way to boost your passion for photography is to photograph something completely different. For example, if you are a travel photographer, spend some time photographing wildlife. If you take portraits, start photographing food.

Not only will this help reignite your passion, but it can also add more skills to your repertoire. You never know, you may find a new passion you never knew you had.

2 - 7 Ways To Take Your Photography To The Next Level

2. Work On a Brief

Remember when you were at school and had to work on projects set by the teacher? It required you to learn about the subject, think about it and create a piece of work to present to your teacher. The concept of working on a brief is the same. You are given a topic or subject to photograph, and you take photos that answer the brief.

The project could be anything from a simple task of documenting a local event, to photographing a remote tribe in another country. Many people who take up photography as a hobby take photos of things that they come across rather than a specific brief. Working on a brief can help focus your photography and make you think about things differently.

Ask a friend or family member to set you a brief. It could be on anything. After you receive the brief, go about creating a set of images that respond to it.

3 - 7 Ways To Take Your Photography To The Next Level

3. Set Yourself a Challenge

Another way to improve your photography is to set yourself challenges. These can help diversify your portfolio. For example, you may have lots of photos but are missing some nice close-ups. So, set yourself a challenge to capture one close-up image every day. Perhaps you have a weakness in a specific area of photography? Set yourself a challenge to improve that one element.

If you are a shy person and struggle to approach people to take their photo, set yourself a challenge to photograph ten people in one day. You’ll be surprised how much more confident you feel after doing so.

4 - 7 Ways To Take Your Photography To The Next Level

4. Read, Watch, Follow

One of the best ways to improve your photography is to be inspired by photographers whose work you admire. Follow photographers on social media whose work inspires you. Look at the work of the masters like Ansel Adams, Steve McCurry, and Robert Capa. Read books such as the ‘Bang Bang Club‘ and watch documentaries and movies about photography. Even flicking through photography books or magazines can help inspire you. However, remember the objective should be to be inspired, not copy someone else’s work.

5 - 7 Ways To Take Your Photography To The Next Level

5. Get a Photo Buddy

Photography is usually an isolated hobby and can be difficult to judge how well you are doing. Having someone who shares your passion can help motivate you while also giving you someone to bounce ideas off. You can learn from one another and push each other to capture better images. If you don’t know anyone who has a passion for photography, join your local camera club where you can meet likeminded individuals.

6 - 7 Ways To Take Your Photography To The Next Level

6. Rent or Buy a Film Camera

There is no doubt that cameras are better and more powerful than they have ever been. You’ll find it hard finding many photographers who still shoot in film.

Still, one negative of digital photography is that it makes the decision of taking photos easy. Back in the days of film, every single photo you took cost money. Meaning, you had to be sure of what you were photographing to avoid wasting money. So you didn’t waste money, you had to think a lot harder about a scene. You had to think about your settings and if it was an interesting subject. You didn’t have the luxury of looking at the picture on the back of your camera.

Try it out. Rent film camera for a day, or buy a second-hand one, and see if it makes you think differently about photography.

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7. Go On a Photo Tour

Photo tours are quite common these days. Tours usually entail going to a country and touring it with the purpose of capturing photos. Ranging from a few days to weeks, tours are one of the best ways to boost your photography. You are away with likeminded individuals who share your passion, and you are joined by a professional photographer who can help you with your photographic weaknesses.

Nevertheless, arguably the most significant benefit of a photo tour is you are immersed in photography every day for weeks. If you keep practicing and doing something for hours every day, it’s natural for you to become better at it. So, if you haven’t tried a photo tour or workshop, give it go. It could be the best way to boost your photography skills and passion.

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Like any other hobby or profession, you need to continually challenge yourself, set goals and have the motivation to create great photos. Sometimes that comes naturally, like when you are heading to a fantastic destination. At other times you have to make an effort to push yourself to be able to take your photography to the next level. The above tips should help you on your way, but ultimately it is down to you to push yourself.

What do you do to improve your photography? Tell us below.

The post 7 Ways To Take Your Photography To The Next Level appeared first on Digital Photography School. It was authored by Kav Dadfar.



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Gear Review: The Lumix G9 Mirrorless Camera

The post Gear Review: The Lumix G9 Mirrorless Camera appeared first on Digital Photography School. It was authored by David Shaw.

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The Lumix G9 – a 20.3mp, micro 4/3rds, mirrorless camera.

When I bought my first full-frame DSLR many years ago (an original Canon 5D), I thought I’d discovered the pinnacle of camera technology. Because a bigger sensor is better right?

Well, not necessarily.

Sensor sizes are like film sizes- they are different formats, not different quality. Each has advantages and disadvantages, and some will fit your needs while some won’t.

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Flying in small planes is how I reach many of my photo locations. A light camera system is vital.

The Lumix G9 Mirrorless Camera

Bigger sensors, for all their benefits, also mean bulkier and heavier lenses. A smaller sensor, such as the micro 4/3rds system, is compact, and light. That’s why, as an outdoor pro who specializes in shooting in remote areas, I’ve recently begun shooting the Lumix m4/3rds system. Specifically, my primary camera is now the Lumix G9 mirrorless camera, the flagship of Lumix still cameras.

Body Quality

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The Lumix G9 Mirrorless Camera from the top.

The Lumix G9 Mirrorless Camera is of a similar size to other pro-level mirrorless camera bodies. For me, this is the appropriate size. If the body were much smaller the controls would become too small and cumbersome for rapid use in the field, and impossible while wearing gloves. The G9, in my opinion, is a good compromise between size and functionality.

The build is sturdy with a die-cast magnesium chassis and is environmentally sealed. A textured rubber coating covers most of the body providing a confident grip, even when wet. The body weighs in 658g, more or less typical of this size mirrorless camera. I’ve used mine in temperatures varying from -25F, to +100F in the snow, rain, and salt spray. I’ve banged it around inside bush planes, safari vehicles, rafts, and canoes, and have yet to have an issue with durability.

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Bush planes. I’ve gotten used to flying in them, but I never get tired of photographing them. (De Havilland Otter reflected in an Alaskan lake).

Sensor

The 20.3mp micro four-thirds sensor has an excellent dynamic range for a sensor of this size and extremely low noise below about 1600 ISO. At higher ISOs, the noise does increase noticeably, which is a drawback for night photography. However, the files can handle substantial pushes in post-processing. Adding two or even three stops of light seems to have little impact on image quality.

Stabilization

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Handheld, at 1/15th second. Easy.

Lumix advertises a whopping 6.5 stops of stabilization built into the camera; a system that works seamlessly with lens-integrated stabilization. This impressive number isn’t just marketing hyperbole. I’ve found I can handhold images, even while using a long lens, to speeds as low as 1/8th of a second. Blurred water shots no longer require a tripod and video capture is smooth and almost vibration free. This is unquestionably the best camera I’ve ever used when it comes to image stabilization.

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Still Photography Performance

Frame Rate

Mirrorless cameras are not subject to the same limitations of shutter speeds as their DSLR counterparts. The electronic shutter of the Lumix G9 reaches a whopping 20 frames per second, far more than is needed except in all but the most extreme, fast-paced shooting situations. Even when using the standard frame rate, it still manages 9 frames per second, which is competitive with just about any camera on the market.

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At 20fps in the high burst mode, or 9fps in regular, the G9 makes quick work of moving subjects.

Autofocus

The autofocus is perhaps the one point, where the G9 does fall a bit short of high-end DSLRs. Lumix has applied a contrast detection system combined with Panasonic’s Depth from Defocus technology (DFD). In bright conditions with few obstacles, I found the autofocus to be exceptionally fast with a high hit rate. However, in tangled environments, or in low light, it occasionally struggles to grab my subject.

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The DFD system is an active autofocus that perpetually pushes and pulls the focus just a hair back and forth as it determines the focus point. It’s fast, but slightly distracting and often lead me to think that the camera hadn’t settled on my subject. It had, and the resulting images show a high hit rate, but the constant push-pull is a bit distracting.

Image Quality

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While overall image quality is excellent, night photography is the one place where the G9 falls short. This image, captured at ISO 3200, required substantial noise reduction.

In most lighting situations, the 20.3mp images are excellent. RAW format files have a competitive dynamic range which allows substantial pushing of exposure in post-processing. If you are jpeg shooter, the camera exports colorful, but not unnatural files ready for sharing on social media. I like the jpeg outputs so much that I’ve set the camera to write both small jpegs and RAW files which allows for quick shares without post-processing.

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Contrasting the previous image, this image captured at 800 ISO is nearly clean and required no noise reduction, despite the dim conditions. There seems to be a big reduction in image quality between ISO1600 and ISO 3200.

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High contrast scenes like this, the G9 handles admirably well.

High-Resolution Images

One of my favorite features of the Lumix G9 Mirrorless Camera is the high-resolution setting. The 20.3mp sensor is plenty for general use, however, as a landscape photographer, I often desire files that can be printed very large. The high-resolution image setting on the G9 takes 8 images in a row, each offset by 1/2 pixel. This produces a final file that is over 80 megapixels! For best results, a tripod is required, but for landscape work, I’m almost always using one anyway. The quality of the final image is, quite frankly, amazing.

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This image was captured using the high-resolution setting on the Lumix G9. The original file is a whopping 10368x7776px.

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The above image, cropped nearly in half, is still enormous by almost any standard.

Features

WIFI

Wifi connectivity when combined with Lumix’s intuitive app for phone or tablet, allows quick exporting of files for sharing from the field. Additionally, the app allows full remote operation of the camera. Once your image is composed, you can use the app to adjust exposure, aperture, shutter speed or ISO, then click the shutter from a 100m away.

Customization

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With a wide variety of lenses in the Lumix (and Olympus) lines. There is no shortage of options for all kinds of photography from wildlife to portraits and landscapes.

Advanced shooters will appreciate the extensive customization options on the G9. You can program in multiple preset modes, accessible from the main function dial atop the camera. But I’ve come to like even more, a separate switch on the front of the camera at the lower left, which allows you to switch between two types of shooting modes. I have one set for my standard landscape settings, and one to my favorites for wildlife. With a quick flick of a finger, I can move back and forth between the two as my shooting situation changes. Nifty.

Video

Lumix has always been associated with video capture, even more than still photography. And while the G9 was definitely designed with still images in mind, it has inherited many video features of the other Lumix cameras. 4k video capture up to 60fps is possible with the G9, something few other still cameras can achieve. With the excellent integrated stabilization, high-quality video is a breeze. As many of my clients are now requesting video clips in addition to stills, the excellent moving image capture of the G9 means I no longer have to carry a second, video-specific camera when I’m shooting on assignment. For a still shooter who likes to capture some video or a film-maker who also wants high-quality stills, the G9 may be the perfect compromise.

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From the back, the camera’s controls are straight forward.

But What’s it Like to Use?

All the tech specs in the world won’t tell you what it actually feels like to use the camera. And in that case, I think the Lumix has really won the race. The controls are intuitive, with buttons conveniently located and ergonomics that allow you to determine buttons easily by feel, and without searching around. I moved from Canon to Lumix and found it didn’t take long to feel at home from the new system. I also shoot a Sony mirrorless, and moving back and forth between the two is not challenging.

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It was intermittently snowing hard and blowing cold wind when I made this image in Alaska’s western Arctic. The G9 handled the conditions without issue.

But it’s in the field that I really love the Lumix G9. The m4/3rd system means that not only the sensor is smaller, but the lenses too. Everything is much smaller and compact, even with fast, high-end lenses. My kit has shrunk substantially with my switch to Lumix. While full-frame mirrorless cameras are smaller and lighter than pro-level DSLRs, the lenses are not, which puts a limiter on how much weight and space you can really save by switching to full-frame mirrorless. With micro 4/3rds however, everything is smaller.

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As a wilderness photographer, this is a HUGE advantage for me. I can carry a body and multiple lenses for the same weight and size as a single DSLR and mid-range zoom lens. I can’t tell you how much this has meant to me on the many occasions I’ve had to weigh out every ounce to make my kit fit in a bush plane. Size matters to a backcountry photographer, and when it comes to cameras, smaller is better.

A Note on Lenses

While this isn’t a review of the Lumix lenses, I do want to offer a quick hat-tip to the Lumix-Leica lens systems. The glass is compact, light, and extremely sharp. The Leica glass elements are impeccable, and while not cheap, the sharpness is in every way comparable to the best Nikon, Canon, and Sony lenses. Secondarily, the m4/3rds lenses are compatible across brands meaning that Olympus equipment works seamlessly on Lumix bodies. (My current long lens is the Olympus 300mm f4 PRO, and it works perfectly on the G9).

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Final Thoughts

Lumix has been a go-to manufacturer for videographers and film-makers looking for a compact, high-quality system for many years, while Olympus has led the m4/3rds still photography market. That has all changed with the Lumix G9. While I look forward to a few improvements in the next generation, the G9 has almost everything a serious photographer could want: great image quality, excellent choices in lenses, ability to shoot 4k video, abundant customization options, and intuitive controls.

It looks like the Lumix system has found a permanent place in my camera bag.

Have you used the Lumix G9 Mirrorless Camera? Please share your thoughts and experiences in the comments below.

The post Gear Review: The Lumix G9 Mirrorless Camera appeared first on Digital Photography School. It was authored by David Shaw.



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7 Things I’ve Learnt About Photography From Pablo Picasso

The post 7 Things I’ve Learnt About Photography From Pablo Picasso appeared first on Digital Photography School. It was authored by Anthony Epes.

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One of my favorite photographers, Ernst Haas, said we should seek inspiration from anywhere and everywhere. Listening to music, looking at paintings and sculptures, and reading books feeds your imagination more profoundly than just looking at the work of other photographers.

I think this is true. Exploring the work of a painter I love is as enriching to me as exploring a new city at sunrise. Similarly, wandering through a forest and photographing the sunlight filtering through the trees.

Our minds are hungry beasts. We think around 60-70,000 thoughts every day, with the majority of them being the same thoughts we had yesterday (and the day before). That’s scary. You can see how easy it would be to live life on autopilot.

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We can choose to think the same thoughts as yesterday, or we can feed our minds with new ideas – be they visual, sensory, words or music.

One artist who has inspired me with his work and ideas is Pablo Picasso. When he spoke about the artistic process, he articulated many of my core beliefs about taking photos.

He reminded me of the most exciting and essential elements of living a creative life. In the busy-ness of life, I so often forget.

Today I’d like to share some of Picasso’s ideas that are incredibly inspiring and impactful on any photographic journey.

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1. “Art washes away from the soul the dust of everyday life.” – Pablo Picasso

This quote of Picasso’s sums up why I dedicated my life to photography. Why I let it be almost everything that I am.

There is something about photography that deeply stirs my soul. I feel more alive while taking photos than I do with most other things.

Playing with my kids or talking to my teenage son deep into the night about challenges he faces, brings a similar feeling of purpose. However, very little else matches the feeling I get in the act of creation.

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Photography is a life-affirming pursuit. It makes me feel I am not just skating on the surface of life – rushing to and fro, writing emails and filling in forms.

Of course, there is nothing wrong with either of those activities, but do they really make you feel alive?

We all have to live and do necessary mundane tasks. But, we can also commit to making a vast amount of space in our lives for things that create deeper satisfaction in ourselves.

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2. “Inspiration does exist, but it must find you working.” – Pablo Picasso

This quote of Picasso’s is a testament to say: take photos even when you’re not in the mood, even when you’re only getting rubbish images. The only way to get that fantastic image is to keep going.

You never know when the light may dramatically change, making the scene before you look eerily beautiful. Alternatively, an intriguing stranger might walk past doing something peculiar!

Even though I am a professional photographer, I sometimes suffer from procrastination as much as the next person. I intend to go out shooting but get distracted by my kids or get too tired after a heavy meal.

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I realize if I’m not out there, I’ll never know what experiences, and then what photos, I’m missing. That seems like an insane waste of life.

Keep going. Continue searching for that great scene, interesting person, or a beautiful landscape. Whatever it is that floats your boat, go and find it.

3. “Art is the elimination of the unnecessary.” Pablo Picasso

I look at thousands of photos on my workshops. One thing I see regularly is people making images too complicated. When your images are too complex, you are not defining your subject correctly.

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There’s a myriad of compositional ideas you can use to help define your subject. For example, Rule of Thirds, creating clean backgrounds for your portraits and breaking the world down into elements.

The overarching concept in all of these ideas about composition is to eliminate all that is unnecessary.

Photography is a process of choosing what to put in the frame, and what to take away. It is wise to make your composition, then look and think. What isn’t working here? What do I need to remove?

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For example – one common mistake many photographers make is not checking their corners. It’s amazing how often people spend so much time composing their subject, but not checking all around the frame, especially the corners, to see that everything within it should be there.

Therefore, creating images is not just – ‘what do I put in the frame?’ But also – ‘what do I take away?’

4. Creating Feeling Within Your Images

“There are painters who transform the sun to a yellow spot, but there are others who, with the help of their art and their intelligence, transform a yellow spot into the sun.” – Pablo Picasso

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The same is true for photographers. You can photograph any number of things, and it looks entirely real. However, what does it feel like when you look at your photograph?

It is all too easy to just document, without creating any sense of what it feels like to be in that hot and humid city, to look at that face, to feel the textures of the buildings you are capturing.

Photographing a cold winter’s morning is simple. Nevertheless, to translate the feeling of what it would feel like to stand in a misty field, with cold biting your face and a deep feeling of eeriness as fog rolls in across the land – that is another skill entirely.

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Ultimately, the success of any photo is whether it creates an impact for your viewer. The only question you need to ask is, ‘does this image invoke a feeling?’

It’s not just what we see that creates an impact, but the feeling that is created within our bodies when we see something that we love, dislike, or invokes joy, or sadness.

Feelings are what we remember. Images have no sense of feeling are instantly forgettable.

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5. “I am always doing that which I can not do, in order that I may learn how to do it.” – Pablo Picasso

One of the things that surprised me about being a parent is how quickly young children latch on to the idea, ‘I can’t do this now, so I’ll never be able to do it.’

Once you have allowed that thought into your mind, it can quickly mushroom until you are utterly convinced that you can’t do something. Never, ever.

I see it in my children, and I see it in 70-year-old clients who come to my workshops. I have to say that, ‘I can’t do this, so I’ll never be able to it,’ is one of the most destructive ideas for your photography.

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Of course, the technophobe might never become the most skilled camera person alive. In contrast, they can overcome their self-perception and become competent and confident with their cameras. I see proof of this regularly.

One of the most exciting ideas I have noticed coming out of the science community in recent years is the idea of Neuroplasticity.

Instead of the old belief that our brains become ‘fixed’ and unchangeable as we enter into adulthood, we now understand that brains are completely changeable.

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In fact, at any point in life, one is able to totally rewire thoughts and beliefs we hold about ourselves.

“The man who thinks he can and the man who thinks he can’t are both right.” – Confucius

Think of all the things you believe you can’t do with your photography, and go out and challenge those beliefs.

If you believe you can’t do street photography, but would secretly love to try it, do it!

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If you think you’ll never master manual mode, read up on it. Go out as often as you can. Make a ton of mistakes. You’ll get it eventually.

If like me, you think, ‘I’m not a nature photographer, but I’d love to try it,’ go and spend time in nature. Experiment, play and try new things.

As long as you approach the world with the attitude of ‘I can,’ you probably will.

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6. The World is Rich With Ideas

“A piece of space-dust falls on your head once every day… With every breath, we inhale a bit of the story of our universe, our planet’s past and future, the smells and stories of the world around us, even the seeds of life.” – Pablo Picasso

Of course, photography starts as a technical exercise. You need to use a machine, often with a little computer in it. Fully get to know the machine you are using. At least to the place where you are comfortable.

Photography is a union of the technical and the creative. The creative part of photography comes from an ethereal place within you that is unique.

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Your creative vision flows from everything that has made you who you are – your experiences, your life, what you love and what you detest.

It also comes from the world around us; from the feeling of history we experience when we walk through old city streets; from the awe of looking at a majestic five hundred-year-old tree.

The world isn’t a flat surface. Everywhere we look we see the ‘moment;’ the weather; the time of day. We also know that in a few hours everything we are currently seeing can change.

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Most people are so locked in their minds and focused on themselves that they don’t open themselves up to the mysteries of the world.

There are stories and ideas all around us that can inspire us in our photography, can provoke new ideas and adventures for us.

All we have to do is pay attention and commit to the awesome power of photography.

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7. “Only put off until tomorrow what you are willing to die having left undone.” – Pablo Picasso

The older I get, the more I feel like I need to demand of myself. That by the end of each day I want to be profoundly and truly satisfied. Not just to be content, or to have my to-do list full of check marks.

I want to have created something. Something that is entirely my own. A creation that no one else could have, because they are not me.

Photography gives us that, and I love that it does. It can give us opportunities to see, feel and experience more of the world.

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Without photography, life would not be anywhere near as rich and meaningful as it is.

When faced with either sleep or the chance to catch an amazing sunrise – I get up to photograph the sunrise.

Our lives are speeding along and, although we are aware of this, we become complacent. In a subconscious part of ourselves, we truly believe we live forever. The possibility of not existing doesn’t seem right.

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Our time on this planet is finite. If we acknowledge that we are organic beings, it can motivate us to demand more of what we truly want from our lives.

For me, it’s exploring and taking photos. It’s creating art and sharing it with others or showing people what beautiful things I see all around me.

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Of course, your photography journey is different from mine.

You may record the breathtaking journey of your children from babies into adulthood or documenting the joyous color of flowers.

Alternatively, you may be climbing snowy mountains and showing the world the awe-inspiring landscapes you witness. You may be documenting the strange and humorous things we humans do when out in the world, inhabiting our little bubbles as we move around the streets, unaware of the world watching us.

There are so many ways to be a photographer. So many things to document, explore and see. Follow your own path.

Just be open, and inquisitive. Look around you and open your mind to everything you don’t usually notice.

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By showing yourself and others what you see in this world, you open up other people’s perspective of the world around them. You take them out of their hectic bubble – full of the 24/7 news, the list of things to do, the emails and daily demands of daily life.

You give them a gift of seeing — a gift of taking a moment to stop and stare in awe at what the world has laid out before us.

It’s a pretty exciting, amazing and incredibly life-enhancing pursuit taking photos.

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Have these ideas fed your creative soul? If they have helped you demand more from your photography, and to take more time out of your life to commit to this fantastic pursuit, let me know below. It’s always great to hear from you.

The post 7 Things I’ve Learnt About Photography From Pablo Picasso appeared first on Digital Photography School. It was authored by Anthony Epes.



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